Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Friday, June 30, 2017

Present


Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
 "Have nothing in your house that you do not know to be useful, or believe to be beautiful."--Wm. Morris.
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html

I work in the San Frediano neighborhood of Florence and it's still known as a center for the small workshops and studios of the craftsmen and women that once applied to most of city. I regularly stop in on the local carpenters, antique restorers, jewelers and luthiers, metalsmiths and bookstores. Around the corner and two blocks away on Via Borgo San Frediano is the AtelierGK run by the young and talented couple Lapo Giannini and Michiko Kuwata. He's a 6th-generation bookbinder and she's a Tokyo-born conservator and restorer of books and paper and they've done some work for me restoring some old illustrations and ephemera. Their small shop and workshop is full of handmade books and boxes, colorful hand-marbled papers and printed endpapers, shoes and jewelry boxes and the odd and curious tools of the bookbinder and their neat and orderly shop is a measure of their attention to detail and aesthetic of doing things as they should be done. On days that they're working, I like to pop in to watch what they're doing and other times just to see what they're up to or to discuss Japanese paper, books, boxes, or future projects. It's not unusual that the conversation turns to the importance of trying to reawaken in the public an appreciation for craftmanship and quality and hand-made things in a world of mass production and consumption.
A few days ago, however, they surprised me by asking if they could come by my little studio.  I'm tucked away on a little-traveled side street so I don't get many visitors.  They didn't know it's almost my birthday, but still, they left a remarkable gift.   





Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html
Have nothing in your house that you do not know to be useful, or believe to be beautiful. William Morris
Read more at: https://www.brainyquote.com/quotes/quotes/w/williammor158643.html

Wednesday, May 14, 2014

Topworking Grapevines

Cleft-grafted Grapevine April 1.

The right graft is taking and is budding out (May14th)

About 15 years ago, when we had a new water line brought to the farmhouse. The backhoe operators, either out of carelessness or just unawares, managed to take out an entire row of old grape vines. After getting pretty mad, and trying to yell in Italian and waving my arms a bit; they did agree at least to partially pay for replacing the vines. So that Spring I brought home 40 grafted table-grape plants and planted them in the soft earth where the new lines had been sunk underground.
 Unfortunately, 15 ended up being mislabeled and, instead of a the Italian variety, Maraviglia--a very large, pink, seedless grape---when they started producing grapes 2 years later produced dark, black wine grapes that never seem to really ripen and that even the birds ignore. But they're vigorous, grow well and make grapes every year.
So this year. I decided to try my hand at grafting them over to a new variety.  In big vineyards this wouldn't be economically feasible but as my labor comes cheap and if it works we'll get a crop as early as next year.
Top-working is a euphemism for the rather drastic decapitation of the top part of the vine to be replaced with new graft wood. It is cut off with a saw about 15" off the ground and an axe is forced vertically into the top of the stump creating a split. I then take shoots from the previous year's growth from a different kind of grape and using the grafting knife cut it into a triangular, wedge shape. This then gets gently tapped it into the cleft I've made with the axe. Each stump gets two scions of graft wood. The tricky part is that the living part of the wood; the cambium layer--is under the bark and is a thin, green layer of living cells. The cambium layer of the graft has to be in contact with the cambium layer of the trunk--but they're different diameters and colors and if they aren't placed just right and in contact they won't fuse. The whole graft is then wrapped tightly with tape and then covered with a grafting/sealing compound to seal them and keep them from drying out.

I was encouraged by last year's grafting attempts. My pear and apple grafts all took and are growing well and the one failure--a plum tree I grafted from a variety I found growing in an abandoned village in Liguria (don't know what the plums will look like....) didn't grow last year but this year sent out two healthy sprouts from the graft and I took that as a sign to forge ahead.

So, 6 weeks ago, armed with a saw, a sharp grafting knife, a bag full of grape scion wood I had cut in late winter and stored in the refrigerator, a paintbrush and some grafting tape and glue I set out to try changing these vines to a grape we would eat.
I chose 8 vines and grafted 3 Muscat di Hamburg; 2 Sultanina Bianca (white seedless/sultana), 2 Uva Regina and 1 Pizzutello nero.

While the cleft graft is supposed to be the easiest and have the highest success rate. Those qualities must be true for more competent farmers than I am.   I can't say I'm overwhelmed by how successful I've been.
I grafted four scions but only the Left bud seems viable.

Here we are 6 weeks after grafting:
Well, this one seems happy.

I have 3 definite takes; They're budding out and are clearly going to be ok.
I have another 2-3 that seem to have, maybe, some swelling and filling of one of the buds....but aren't actually growing. And I have 2-3 that don't really show signs of anything and are probably dead.
I'm still optimistic though. It's still early Spring and In the best scenario, a few more will bud out and survive to make fruit next year.
This looks like we have nothing.

But MAYBE this bud is trying hard to sprout?

Worst case scenario is that they won't take. But since we weren't eating those grapes anyway, that's not much of a loss. And I can always just dig those out and plant new vines next Fall.
Here's a comparison of a grafted vine on the left (I used dormant buds so the plants are behind in their growth) and one that wasn't grafted and is growing normally on the right. I need only one shoot from each plant to be able to develop them into productive vines.
I think I can, I think I can.........

I'll post more photos as time goes on and try to chronicle my success/or failure with this grafting attempt.