This time with a little color.

I have been moving forward with my small print series of shunga/erotica/quick sketches and have etched one image/plate and almost finished another. Meanwhile, I cut color blocks for this one and pulled a couple of color proofs using my baren and today quickly inked and proofed the zinc plate with a small table press on top of the color work already laid down.
I'm using a textured Italian etching paper and my zinc plates weren't highly polished so there's a lot of plate tone that is going to greatly influence the final result. 
I think this isn't bad for a color test--I will probably flip color tones for the male and female shapes and try to get it to print a little cleaner.

Shunga 2

Here are the first three of my sample plates for my erotic/shunga series.
I'm still not sure if I'll be able to pull this off but I'll commit to at least 5 of the images I have in mind and wait until I've got the color blocks done and printed too before I decide if this is worth pursuing.
Of these I'm happy with the 1st two--the third I think needs to be redrawn and etched on a new plate.

Soft-ground etching on zinc waiting for color plates.
They're all either 13cm square or 12cm x 13cm.

Shunga?

This is the tentative start of a small project. This, the first print, is based on yet another scribble from my sketchbook and my recurring interest in how our mind and eye turn random or unconnected shapes into recognizable forms.

The original scrawl of two wavy lines drawn as positive and negative reciprocal shapes-somehow became became male and female--and the reworked lines and resulting shapes then became figures. I drew these over and over--some more literal, others even more nuanced and I've played with how abstract I can go and still have this read (almost) as a depiction of an erotic act.

The two plates that printed together make the print at the top.

 There are others coming, but they're not subtle and I hope to be able to make a small series of prints-
playing with the Eastern/Western techniques of moku hanga and etching while referencing the history of erotic images from the Ukiyo-e tradition.
My plan is to combine the techniques of soft-ground etching for the drawn lines and fill in color areas using wood blocks and bokashi gradations although I may try doing the same image (or a variant) using the different techniques. I'll start with a couple and see if I can make something interesting,
but the eventual goal is to put together a group of 10-12 images for a small portfolio or artist book.