Stain 3

Well, work continues....

I printed 25 onto Nishinouchi, an off-white mulberry paper and the blue didn't print quite grey enough and I think my earlier proof on white paper came out better. I'll take a little pause. Let these dry and decide whether to add another color or pass on the tie to deepen the color or just print a second batch in a different color scheme on white paper. I pulled this out of the batch as I plan on gluing one down face up on a hardwood block, carving the tie again and polishing the other copies to make the tie shiny and silky looking.

They are a bit less yellow than this appears on my monitor.

Stains and colors

I printed some sample proofs from my fresh keyblock.
The original idea was a simple black and white line drawing with the red blood stain on the white shirt. (I thought of carving different color stains --coffee, blood, etc but that seemed pushing it a bit too far).
But with some proofs on hand I decided to color some in with watercolor.
The one on the bottom R is my favorite;it would be sort of a halftone, bluegray--all the colors would be shades of grey except for the stain; the others are as can be seen above--I like the yellow tie more than the blue one.
The risk is that the subject--the blood spot--might be lost if too much energy and interest is directed at the necktie and colors.

The red stain will be cut off the key block and recarved so it will be much more noticeable. I'm also planning on adding a bit of alcohol to the color to make it seep a bit.

Any favorites/comments before I carve the next block?