Showing posts with label traffic. Show all posts
Showing posts with label traffic. Show all posts

Monday, April 14, 2014

Enamel metaphor

I finished, and mailed off, the small 5" x 7" print to the 2014 sketchbook project's "Print Exchange 2014". This year's theme was "waiting for a sign" and I took it fairly literally.

"enamel metaphor", 5" x 7" moku hanga print;
This was printed from 5 blocks and has 8 separate color impressions.
Edition of 12 in this color scheme with 3 artist proofs.

I tend to "collect" road signs. I often stop and photograph old ones as well as ones that just strike me as odd or amusing. I also find them full of metaphoric content. "STOP" and "YIELD" are particularly strong--I guess I'm not used to the Imperative tense........Others are mere suggestions; recommendations on actions to follow....
I appreciated the friendly hint here to avoid this marble monument by going Right......

So my little print is both quite concrete: "Keep Left, Avoid Wall" but I also intended a more subtle, deeper meaning but it's one that you'll have to ponder on your own as I think it will mean different things to different viewers.
I've a few more road-sign/driving-themed prints in the "still-in-the-sketchbook phase" but there are a couple that I hope to do soon.









Tuesday, March 11, 2014

Proofing "Signs"


5" x 7" Woodblock print (Moku hanga).
I decided to try pulling some proofs from the 5 blocks I have carved so far on this little print.
These are for the Sketchbook Project Print exchange that I wrote about last week.  I will need to send in an edition of 12 copies ready for the end of April. I am definitely (and quite unusually for me) on time/target.
I wanted to see if I can accomplish through overprinting from these blocks for the effects I want (instead of carving the other 3 blocks I was planning on using).
These are getting pretty close to what I have in mind although the lighter one is much brighter and subtle than my scanner will pick up. The "sky" goes from a very pale blue to a light white/gray and looks great in person but is nearly invisible on the scanned image.

I'll mull over these for a few days, probably clean up a few blocks and then have another go.  These were printed on Magnani incisioni (etching paper) and there's a good chance they'll print cleaner/register a bit tighter and look nicer on Japanese paper.

There is a light blue to pale cream bokashi to the right side that isn't picking up on the monitor. Looks nice in person though.