Chinese Zodiac: 2007-2018-Mokuhanga

With my portrait of Bosco as my "Year of the Dog" print for 2018, I have finished one 12-year cycle  for the Baren Forum's Chinese New Year exchange. Each year I printed enough copies to share with the other printmakers in the exchange, with extras for relatives and colleagues and  a few to give away to collectors or important contacts and usually a few more to sell at occasional print fairs or inquiring visitors to my website. Some years I finished them so late I was too embarrassed to send them out (Tiger) so I have lots. Others are now gone except for a few bad or odd copies.
I should note that the "Year of the Boar" pretty much marks my introduction to woodblock printing as that print and making wine labels were my impetus for starting down this odd path. Here, in chronological order are the prints from this series.
For Baren members thinking, "Hey! I never got one of those!", both Boar and Rat were made with the intention of joining the official exchange, but each time, I procrastinated too much and I missed out on the entry date deadline, and I was a new member and didn't think to ask to still be included so they were not part of the Baren exchange, even though I cut and printed about 60 copies of each....
Note that with the exception of "RAT" which I produced exactly as drawn by my then 8-year-old son Sami, and "Tiger" which is based on a Tibetan Tiger carpet, are of the prints are original designs drawn, carved and printed by me. All are mokuhanga prints except for "Goat/Sheep", which is a wood engraving.
I'd also like to mention, I am not much into astrology, and was happy to illustrate the Chinese zodiac because 1) it gave me artist's license to draw and print some charming creatures in a small, postcard format and as I've mentioned before, 2) a chance to procrastinate until February (and beyond) as the Chinese New Year is a month later than ours and gave me extra time without seeming too late.

 

Reading Glasses, Collars and Hames

From a web guide to horse-harness parts

It's the Year of the Horse in 2014
and horses are what I've been doodling, and thinking about for a couple of weeks now.
One of my secret dreams would be to farm with draft horses.
So I pulled out my back issues of the "Small Farmers' Journal" for reference photos and drawings.
The one I've chosen for my print is of no particular breed but has the thick neck and blunt nose common in many of the world's working-horse breeds.

I'm making use of a small piece of boxwood I've been itching to try out (see my "woodlust" post from last year) and as it's a smallish piece just 4.5" x 6" in size my print will be be only a little bigger than this.


Small means slow going. I have to carve slowly--with magnification--since the drawing will be essential in the final print; This particular boxwood is softer than I thought it would be but is holding detail pretty well although I'm not cutting the lines as thinly as they're drawn as I haven't been carving in a while and I'm feeling rusty. I've discovered if I use two sets of reading glasses I can bump up the overall magnification and it's working well except for the fact that they keep sliding off my nose.



Two mornings of work and I'm about 1/3 done with the keyblock.
The round pupil has to go however. I added it as I was carving out the iris but it's wrong. Horses have horizontal, elongated pupils and this one makes it look possessed.