Saturday, February 15, 2014
Wear and Tear
I reached another small milestone--I had to repair the takenokawa (cover) on my home-made Baren. This means that I've been using them and my 11cm hemp-twine and glue, twisted-cord baren developed a tear bad enough during the print run of horses that I had to stop using it. (See my post on making one: http://rospobio.blogspot.it/2013/05/making-twisted-cord-baren.html).
No worry. Practice works and I'm no longer panicking when I have to tie on a new one (I've done it now almost a dozen times....).
I'm also no longer worried about running out of bamboo leaf culms since I found a stash on the ground in the garden's bamboo patch.....and there's probably a botanical garden near you too where you can find some big enough to try out (http://rospobio.blogspot.it/2013/05/bamboo-skin.html).
So:
Snip, trash, rinse, rinse, stretch, stretch, smooth, smooth, rub, rub, rub, pleat, pleat, pleat, tie and snip.
There you are; all done.
It does get easier.
And this will definitely work.
Ready for the next one.
PS. This works reasonably well as a medium-soft baren and I used it on the thinner Japanese papers where my Murasaki baren was too hard and when I wanted a little mottling/wood grain to show.
My other home-made baren (14 cm kite-string twisted cord) instead worked really well for printing the key block. Neither are strong enough for really good smooth color but I'm pretty happy with how they both perform.
Labels:
bamboo,
baren,
culm,
hand printing,
making a baren,
moku hanga,
printing without a press,
woodblock
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