Maple Proofs

Well my first creative act of 2012 was to scrape the year 2011 off the keyblock for my slow-to-move-forward Maple branch print. I have been working on it but it just seems to be taking longer than it should. I did go ahead and carve a new 2012 on another block.

My first attempt at proofing was a disaster as my keyblock shifted on all 3 copies making it impossible to see if the registration of subsequent blocks was on.
So last night I had another go.
2 pieces of shin torinoko, one fabriano artistico, one Magnani watercolor paper.

Registration is decent but not perfect. The leaves are too orange/red and not variegated enough--I'll need to play with them during the actual printing.
And I'll need to trim down a bit some of the blocks and adjust at least one kento.
Here are the two variants that look ok.

The biggest problem is with my Shina plywood blocks. My Italian "white glue" didn't completely wash off the block and there is a thin layer acting as a partial resist. This is pretty evident here where the brush strokes are fairly visible (and wouldn't be exactly reproducible) but worse, as I continued to print the seams began to print quite visibly. Not sure yet what to do about this. Ignore it or try and work around it. The same board on the other unglued side also was starting to show the seam when printed too so it is not just the glue.

The atmosphery speckling of the darker copy is due to the watercolor paper. It can be printed more evenly by pressing harder with the baren but I was mostly checking registration and trying to get an idea of color fields. I like how it looks but it really is a defect of printing.

Oops--Woodblock slips, lost wood and repairs.

I'm pushing the limit of this particular piece of Shina Plywood. I can carve thinner lines but the glue holding the veneer firm is not always uniform and pieces will pop off. Sometimes due to a slip of the chisel and sometimes not. (A careful look at the photos will show that I gave myself some extra space while carving--I'm a good 1-2mm away from my hanshita lines but I still had a good 8-9 slips/losses/gaps.)

It's a offshoot of Murphy's law that a small loss of line is always in a critical area and not some irrelevant spot. It's always the eye or nose or a letter etc.
In this case it is the Maple seed that will be the focus of the image.

Here are a few photos of the slips (but already with repairs in progress).

I've already taken a little shina --taken off the surface with a flat chisel and cut into wedge shapes or narrow rectangles and these have been glued into the space left by a lost piece.
I've opened up the spaces a bit to give me more room and tried to flatten the bottom of both the receiving board and the wood plug.

They are allowed to dry and then the next day carefully trimmed to match the original lines. A wood glue for exteriors is best (won't come off when wet like Elmer's white glue will).
I didn't have any so used a local Italian glue that looked and smelled like airplane glue and wasn't ideal.

Here are the repairs after they've been trimmed:

And here is one view of the test proof I took today to check the keyblock.

Not invisible, but not bad.
I do take care to shave the top flat so the repair is flush with my keyblock.
With a little more care to cut the plugs to fit better and the right glue the repairs can be undetectable once printing gets underway and the small gaps fill in.

Carving again

Enough baking.
Time to do some more work.

I've put off any more of my road sign pieces until I can get some plain white/fine mica. I wanted a shift in color anyway.
I had planned on moving into a bigger piece for one of my sign works but a small outdoor sketch of the one Japanese Maple we have in the fields came out looking very
Secession-like and I prepped it for a small print but when I went to xerox it to make my hanshita the copier was set at 100% and it doubled the image.

Hmmm. That would be MUCH easier to carve I thought (as I was wondering if my eyes/hands/skill and cherry would tolerate the thin lines) but scaled up it would probably fit a piece of Shina plywood I've been saving.

So, work has begun.
I'm carving the keyblock for what should be a 14" x 14" print.
I'm happy to be carving again and can't wait to try printing something this size again too.