Toggle Bolt

Toggle Bolt, the first Figure in the imaginary and now out-of-print classic handbook of European and American Fasteners. A guide for those who often choose the wrong tool for the wrong job.

moku-hanga, Japanese-style, polychrome woodblock print
6" X 8"


When we were looking for a house in Santa Cruz, this one was exactly what B was looking for. The previous owner is a photographer and the walls had beautiful black and white photographs perfectly placed on all the walls in a house that was neat and ordered and lovely.

Imagine my surprise when we moved in to discover that the owner, not wanting, I suppose, to force his own aesthetic choices on the new tenants had pulled out every nail, stuccoed and painted over every hole and left the house spotless and new.

I am not particularly handy. And living in a lathe-and-stucco house means to put anything on the wall you have to hunt for the studs that the walls are hanging on. The walls themselves are just 1-2cm of brittle plaster and any brad or nail you just hammer in will just wiggle out, leaving a small pile of plaster dust and holes in the walls.
B, long since having given up on me ever hanging anything on the walls has hammered nails and brads, where-ever-you-please and has hung up all sorts of second hand/goodwill frames and art and posters and mirrors and shelves.

A Toggle Bolt is a fastener designed to be used to hang light to medium weight objects on hollow walls when a stud isn't available; on sheetrock, lathe and plaster, etc. The metal parts are spring loaded--A fairly large hole is drilled in the wall, the two flexible, spring loaded flaps are pulled against the screw and the whole thing is passed into the hole. Once past the wall, the flaps open up and by turning the screw are pulled up against the inside face of the wall holding the other, outside part fast. IF you make a mistake and have to unscrew it, the folding part just falls off behind the wall and you have to use a new one.

That's the idea anyway. I've bought a few but never actually gotten around to putting one in the wall.

There are holes all over my walls.

Swarm

Inching towards completion.
Printing is done.
I briefly shuffled all of them out on the table to get out some of the major dampness--the rains have stopped and the humidity is less so they quickly feel less soft and cool--that means they're drying.
Then I cart them off to press between an old hardwood cheeseboard with several sheets of paper interleaved and another used hardwood board on top. Over this sandwich goes the old lithography stone I found in a Miami second hand shop thirty years ago. This whole stack then enjoys the living room bookcase next to the forced air heating vent. I'll undo the pile a few times to shuffle through the prints to even out the pressure and drying and with the last shuffle they felt dry and crisp.
Tomorrow they'll be trimmed, gone over for rejects and then signed. I said I wanted to be done by the end of October and I think I did it!

Toggle emerging

Raining today and for the first time I'm having trouble keeping my paper dry enough.

Two more impressions on my Toggle print.

The first a pale gray solid shape to give mass tone to the bolt, then a roughly carved shadow block--I've learned that this doesn't have to be carved as neatly or detailed as the detail will be carried by my keyblock that will print over it.

I tried to post shots of each stage but my scanner isn't picking up the pale blue-grey of the thin wash-like colors at all so this one image shows those two impressions over the light blue-green background.

Tomorrow I hope to print the keyblock over the previous three impressions...It may be so damp in my studio I'll have to move into the kitchen.

Printing again

Starting on my Toggle print.
I managed to get one block printed today. A simple, single-color even wash.
It's a mixture of pthalo blue green and pthalo blue mixed with lots of rice paste to make a very transparent wash.
I usually would have started with the keyblock--the black and white block that outlines most of the color areas and in this case carries all the details, but I tried printing that first but my good printing paper is slightly uneven textured and was picking up some of the ink from the carved out areas from the shallowly carved letters.

SO I switched the order and am printing this block first--the pressure of printing the paper against the hardwood block will smooth out the paper and make getting a clean impression easier down the line. The line of very small print will end up printing over the bottom of the blue square later.

Here's the block I printed from and here's a very bad photo of the print pulled from it.

Sorry about the quality of the second photo--I'll replace it with a better one once I get my scanner back up.